The Trekker In "Logan's Run"

 In 1976, the biggest movie to come out that year (at least according to me) was "Logan's Run." I saw it several times in the theater, bought the novel, and the soundtrack LP. I even saved up about $50 to buy a set of over-sized lobby cards from the movie at the Ft. Lauderdale specialty shop "Starship Enterprises."

One thing I noticed immediately was that a Star Trek fan extra snuck in the Vulcan salute at the end! Have you ever seen it? Watch at the end when the young people are reaching for the old man... right in the foreground, one of the raised hands briefly makes the Vulcan hand sign, and it made it in the movie! And it wasn't just off to the side in a subtle motion... but it actually blocked the view of Peter Ustinov's face for a moment! See my screen capture of the moment below... (click on the image to view full-size.)

"Live long and prosper, old dude!"

I originally wrote about this in a post about "Logan's Run" over on my sci-fi/nostalgia blog "Fantastic Flashbacks." You can read the original post here.  I ended the post with the line "My sneaky Trekker friend, whoever you are, I applaud you!"

Well, thanks to the internet, that person has stepped up and claimed this bit of filmic Trekker identification! Here is an email that I got from him:

 Fred,

Thought you might be interested to learn that I was the Vulcan Hand Salute kid in Logan's Run.  My mother was a talent agent in Dallas after we moved here from L.A. in 1970.  I had done many national commercials through an agent there and my mom decided to open an agency in the new film frontier of Dallas.  As a result, she always sent me on extra calls for films made in Dallas at the time like Logan's Run, Phantom of the Paradise, Semi-Tough and others.  I remember working weeks on end on LR culminating to the big finale of filming the destruction of "Dome City" filmed at the Ft. Worth Water Gardens.  We were directed to wait on the far side of a wall for the explosions and then came over to gather around the first old person we'd ever seen, played by the late Peter Ustinov.  I also remember a girl from our agency was selected to be the one to touch the old man's face.  Rumor has it this required a "special audition", but who really knows. Anyway, I was simply wanting to find a way to locate myself in the crowd and didn't do it long, I thought.  I feared it would get noticed and end up on the cutting room floor, but as you mentioned, made the final print.  I had forgotten about this until a friend of mine from back then called me and said the salute had made the Internet.  So, there it is and thanks for the applaud.

Adam Wyse

Thanks, Adam, for writing and sharing with me -and the readers- your story! Now we know... and you certainly did make your mark that stood out from the rest of the crowd!

Bonus: Since today's post concerns the Vulcan salute, here is a nice image I found online that is a mock-up of the old Gold Key Trek comics with nice modern artwork!

Starlog #1 Color Star Trek Section

When the first issue of Starlog came out in the July of 1976 (see the cover here), fans like me didn't just embrace it, we ran up to it on the magazine rack and placed wet sloppy kisses over it as we wept for joy. Here, at last, was a regular monthly magazine devoted to Star Trek and science fiction film and TV! And with an 18 page COLOR Trek section... it was almost too much to believe. This was back when color photos of the show were hard to come by in a magazine... at least until the first Giant Star Trek Poster Book came out a few months later. 1976 really was a watershed year for Trek-oriented publications. It seemed to be the year that Trek fandom really blossomed and the phenomenon became something more public.

I have posted material from this first issue before; here, here, here and here. But this time I am posting the color section that excited me so much when I saw it. It's probably hard for today's fan to grasp just how exciting this kind of thing was to us back then, but it's how it was. In fact, the magazine itself resorted to photographing the show off of a TV set for the sequence of images from "The Doomsday Machine," something I had done with my Polaroid instant camera. Back then, it was the only way we could "screen capture" images from our favorite show. Now, we can put the disc in a computer and grab all the frames we want. I'm presenting the 16-page color section in two parts, so here goes part one... enjoy!

Star Trek Poster Book #4

The Star Trek Giant Poster Book (actually a magazine) was one of the greatest publications to come out in the 70's on the show, and I never missed an issue. I said earlier that I would post all of them, and I plan on doing so, starting back now with issue #4, published December 1, 1976. (Read all of the previous posts by using the tag link.) They are spaced apart somewhat since I have to scan them in sections then put them back together in photoshop, all for your enjoyment. You may leave a token of your appreciation in the tip jar on the counter. Or better yet, leave a comment!

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you may have to click on it again to view full size.)

As for the interior poster, you can see what it was from the thumbnail preview on the back cover, a frame blowup from "Day Of The Dove." No need to open it up and take a photo of it for this post, since it's not a great poster. In fact, that was the one consistent criticism I had against the magazine; most of the posters were simply grainy frame blowups, and only once or twice did they use sharp promotional photos, which were by far the best ones. Why they didn't go that route every time, instead of film clip enlargements, I have no idea; but the whole idea of the poster book suffered because of it. On the whole, though, an excellent publication.

Nimoy On Tour-1976

From August 1976, issue #4 of the "All About Star Trek Fan Clubs Magazine," a fun fan publication that found national distribution, comes this interview with Leonard Nimoy with some candid photos taken as he spoke at a college in New Jersey in February of that year. Note the wild scarf he is wearing! First, the cover...

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Also from the same issue comes this two-page spread of photos snapped during the fondly-remembered New York Star Trek '76 Con, taken January 1976.

Bonus: Seldom-seen series of photos of Nimoy in Spock makeup.

Now, if you were one of the creators of this magazine, or a contributor, please don't be offended by my labeling of it as "amateurish." This simply means as opposed to professional, but it is obviously a labor of love by fans, and for that it is enjoyable. If anyone feels I have wronged someone by this impartial observation, feel free to comment. If I didn't think the content was worth reproducing here, I wouldn't do it. On the contrary, it offers a view of the show and its cast and creators that the more professional magazines may not have had... and an excitement. So more power to them for getting the opportunity to connect with fans like us across the country! It might not have been as slick as Starlog and other contemporary publications, but what it lacked in style it made up for in enthusiasm for the subject matter.

"Dr. Spock" Probes Unknown

This article, clipped by me sometime in 1977 from the Ft. Lauderdale Sun-Sentinel (I didn't preserve the date), was difficult to scan by virtue of the fact the the first column ran pretty much the length of the newspaper page, meaning I had to scan it in three parts and photoshop it back together. Poor layout, methinks. But the worst thing about it is that whoever added the headline made the tired old "Dr. Spock" mistake. Come ON, people! Poor Leonard must have been so very, very tired of this happening. I added the photos to take up the empty space left when I clipped the article from the paper.

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Below is a funny comic panel from fanzine "Enterprise Incidents"(#6, September 1978) that illustrates the frustration that Nimoy (and Mr. Spock) must have felt over the mistake! Another thing that used to get under my skin, and was certain to elicit a quick (and snarky) correction from me, was someone calling the show "Star Track."

Too late the poor schlub learned that Vulcans can turn violent with little provocation under certain circumstances.

Bonus: Below, a nice publicity photo of Nimoy as "They Call Me MISTER Spock" from Star Trek II: The Wrath Of Khan."

"Did... you just call me... DR. Spock? Because unless my ears deceived me, you did. And these ears do not lie."

Bonus #2: A verra nize b&w publicity photo of Kirk and Spock from the glory days of the original series. This is one of my favorite shots of them together, for the memories it brings back to me. Scanned from the same issue of "Enterprise Incidents" as the cartoon above.

Kirk and Spock commemorated their friendship with a visit to their Sears photography department.

And, because I'm in a generous mood today, yet another bonus below, this time a great pen and ink by Ralph Fowler (see his tag link for more) from -again- the same issue of E.I. I love this guy's work, and wish I could hear from him!

I used to wonder occasionally, upon hearing an ignorant person use the "Dr." title for Spock, if the actual Dr. Spock ever got tired of dealing with kids asking him where his pointed ears were. One can only hope.

Star Trek Giant Poster Magazine #3

There were two publications that came out in the 70's that really were incredible to find back then... the Star Trek Fotonovels (which came out in 1977, and which we'll tackle soon) and the Giant Poster Magazine. Finding a new edition of either of these on the newstand was a major event in my little world!

I've posted the complete scans of issues #1 and #2 of the poster magazine, and will continue to feature them occasionally until they are all covered. This time we look at issue #3, (published in October of 1976) devoted to covering the more humorous aspects of the show. First, the cover... unusual for the fact that his uniform tunic appears purple rather than blue. This is probably because a colored gel was being used on one of the lights illuminating the scene.

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As always, I scan these pages in sections and then photoshop them back together, which is why the posts of the various issues are spaced apart as they are. It's a big job! If you had these issues, but don't any more, these posts will restore them to you, in a manner of speaking, and refresh your memories of them. If you missed them, they will be new to you! And if you still have them, but haven't looked at them in awhile, the posts will save wear and tear on your issues.

Next, the two pages that it opened up to first; one featuring images from the blooper reel, and the other the rules for playing the game Fizzbin, made up by the captain on the spot to confuse and distract the guards in "A Piece of the Action."

Next, page three, which was twice as large as the previous page, when the magazine was opened up further. A nice writeup on the most famous episode, "The Trouble With Tribbles."

Below, page 4, from the opposite side of the page above; on the inside fold. A nice look at the humor of Star Trek, much of which came from Dr. McCoy.

And then there's the back cover, interesting because of the ads for the two exciting items, the Tech Manual and the Blueprints. Take the trivia quiz if you think you know Star Trek! Answers given next issue.

Bonus: Below, a contributed item from a reader! Although I primarily featured material from my own collection (hence the "my" in "My Star Trek Scrapbook") I have decided to share material sent in by readers, if, of course, I don't already have that item. This time, we have a real rarity; a movie magazine page featuring DeForest Kelly way before his role on Star Trek. Contributor Kristie pointed out that since it mentions his involvement in the then-current film "Variety Girl", that this dates the article to 1947. Bet some of you didn't know his career went back that far! Kristie is an active contributor to a blog dedicated to Kelly, which you should visit! There are some awesome and rare photos of De posted there.

Note: I have begun a Twitter account for those that would like to use it to stay informed when I make posts here. Subscribe at www.Twitter.com/fredtrekker!

Kelly Freas Chekov Portrait

Well, it's been a fun series of posts to do, and this time we look at the last of the portraits painted by Kelly Freas of the Officers of the Bridge. Why is Chekov last? I admit, the order of posting was entirely my own choice, the pictures were not numbered. But in descending order of any list of the bridge crew, poor little Chekov always comes in last. Aside from the fact that he was only added in the second season, Chekov seems to have been the whipping boy of Star Trek, not even showing up in the animated series. Did Freas do him justice in his portrait, though? Let's take a look-see...

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Like his painting of Sulu, Kelly perfectly captures the facial features of Chekov, who actually seems the closest to his 1967 self than any of the others. And oddly enough, whereas most of the others gained longer hair (based as most were on photos of the stars taken at the time, the mid-70's) Pavel's is the same as the series; maybe Freas judged his Monkees haircut shaggy enough already. Nothing added to it for visual interest, as in most of the others, either; a phaser or something would have added a little zing. I would have given it an A+ for character accuracy, but I deduct a bit for the lack of flair here that had been given to the others. But for the very nice starfield background, this would have been somewhat lackluster. Even his expression seems a bit distant and sad; whereas his buddy Sulu looked happy and energetic, Chekov looks lethargic and introspective.

Not surprisingly, painful depression really was inwented in Russia.

Maybe the expression comes honestly... Chekov always seemed to get the crappy end of the stick; a Ceti eel in his ear put there by Khan, an butt-ugly Drill Thrall who wanted to molest him on Triskelion, a plasma-burned hand when V'Ger overloaded their shields, brain injury on an aircraft carrier in Earth's past, shot and "killed" in the Melkotion OK Corral illusion... even his Mirror universe double fared no better, as he end up screaming for hours in the Agonizer Booth. Chekov was famous for screaming in terror and/or torment; that would dial down your enthusiasm level.

Or, perhaps it was taken from a then-contemprary photo reference of Walter Koenig, who probably was depressed at his lack of work after the series, and was forever ambivilent about his typecasting. His interviews and book "Chekov's Enterprise" all bemoaned the fact that he was so underused. The one convention I saw him in, where he was onstage with TNG actress Marina Sirtis, he looked uncomfortable, as if he had been ill, or eaten lunch at Taco Hell. Though, to be fair, I guess years of people asking him to "say 'nuclear wessals!'" would drain the joy from any man. He could probably relate to "Galaxy Quest" more than any others of the cast.

Bonus: Below, the salute to Walter Koenig from Starlog's Trek 20th Anniversary issue #112.

"I wonder... am I helping my career by playing Chekov or hurting it?"

Thanks for sticking with me on this series of posts! Thanks for your comments, also. I love hearing from my readers. Now that you've seen them all, name your favorite!

Kelly Freas Sulu Portrait

For the last five blog entries we have been looking at the Kelly Freas paintings from the "Officers Of The Bridge," as the set was called when it was first premiered in the 1976 New York Star Trek convention booklet. Today we turn the corridor corner and encounter the shirtless sword-and-pec flexing Sulu, and I've gotta say that Kelly outdid himself on this one.

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"Shatner, beware my steel! And check out my abs, your flabby middle cannot compare!"

Looking closer at the face below, highlighting that familiar Takei smile, we see that Kelly simply nails the features on this characterization, and for that reason I have to put this portrait near the top when it comes to accurately capturing the features.

From the swashbuckling sash, which reminds one of the mirror universe (although that was a much deadlier Sulu), to the fencing rapier, Freas seems as though he had fun doing this one, showing Sulu practicing one of his hobbies that makes it more memorable than a pose at his usual station on the bridge. I confess that I would rather have seen Uhura's washboard abs than his... I'm sure, however, that Sulu's fans were thrilled.

This oiled-down and sweaty image brought to you by ""SULU Pour Homme," the cologne for men! Oh-h-h-h, m-y-y-y!

Below we see a publicity still that features Sulu in a similar pose. But for that one scene early in the series ("The Naked Time"), Sulu might never have broken out of the background to become an interesting character. Resisiting the natural impulse to have Sulu stereotypically emulate a samurai, the writer gave him depth and uniqueness by instead having fencing as a hobby, and secretly fancying himself one of the Three Musketeers.

"TWANG-G-G-G-G-G!"

Bonus: As with the other entries, I am pairing the paintings of the characters with the salute to the actor that brought them to life, from the Star Trek 20th Anniversary issue of Starlog, Issue #112, which came out in October of 1986.

And here we see a photo of George, (from the magazine salute) probably one he had taken himself near the time of the 4th movie, that seems to be directly inspired by the Freas painting.

"Give me a ship of my own or suffer the point of my sword!"

Next: From Russia with love!

Kelly Freas Uhura Portrait

So far, in our look at the bridge crew portraits by fantasy/sci-fi artist extraordinaire Kelly Freas, we've seen Kirk, Spock, McCoy and Scotty. Now, fellows, calm your churning hormones, for the post of the Freas portrait we've been most anticipating is here... Lt. Nyota Uhura! Kelly's ethereal style was perfectly suited to portray the galaxy's most beautiful communications officer. As noted by myself and other commenters, the resemblance to the characters was achieved in varying degrees of success. How does Uhura fare? Judge for yourself...

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"She walks in beauty, like the night."

Aside from the non-regulation silver go-go dancer boots, Uhura's portrait turned out pretty well. Although Nichelle's waist was nowhere near that small, her other assets are nicely portrayed. Her graceful hands and the familiar sexy pose that showed off her legs are faithfully reproduced here. But the bodies of the stars were never the issue. Nichelle's striking facial features are captured nicely, considering that, like several of the others, it is not a head shot but a full body painting, which makes faces more challenging to accurately depict, being smaller. The colors of the panel on her board, and the PADD prop add some visual interest as well. The only way it could have been better would have been to depict her in the mirror universe uniform!

"Message coming in, captain... it says I've been voted 'Hottest Starfleet Officer' for the fifth year in a row!"

Bonus: From issue #112 of Starlog magazine, the Trek 20th anniversary issue published in October of 1986, is Nichelle Nichol's salute pages. (I have decided to retroactively add each star's salute pages to the Kelly Freas portrait page of their character, so look back over them in coming days to see each one.)

Uhura doesn't need a phaser to stun you, just a look.

Such a pose from the scene in Star Trek III makes one wish that Nichelle had been given more such opportunities in the original series. She really was, as the only female regular on the bridge, criminally underused. But, considering the times, I suppose we were lucky she was there at all. Today, she would be a co-star, as evidenced by the character's prominence in the 2009 reboot.