Happy ST:TMP Day!

On this date in 1979, Star Trek: The Motion Picture premiered across the country. How well I remember the excitement that I, and many other fans, felt! It was to us back then, what the new Star Wars movie is to fans this December. Today's post is devoted to the memories we have of this red-letter date in Trek history. Read a few, a lot, or all of the ST:TMP related posts I have made on this blog by clicking here.

1984 Mike Minor Interview

Mike Minor made some significant artistic and production design contributions to the original series third season, the aborted Phase 2 series, ST: The Motion Picture and ST II: The Wrath of Khan.  In this extensive interview from issue #14 of Enterprise Incidents, published February of 1984, we find out the extent of his involvement. (See his Star Trek wiki page here.) As you may recall, I posted another article on Mike earlier from Starlog, but this one goes much more in-depth. He worked on many other genre productions, not the least of which was Star Wars. It's tragic that he passed away so young in 1987 and we never got to see what he might have done since then.

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Bonus: from the same issue of EI, comes this fan drawing of the Mutara Nebula battle.

Bonus #2: Publicity photo of Kirk once again baffling Spock with his propensity for somehow inexplicably winning against the Vulcan.

"How does he DO that?"

1984 ST:TMP Special Edition Article

In 2001, fans of Star Trek: The Motion Picture were treated to Director Robert Wise's "finished version" of the film (The Director's Edition), as he had considered the theatrical release so rushed as to not be what he wanted on screen. This is to me the definitive version, the one I take out and watch now whenever I get the desire to revisit the movie. The tighter edit, the more lush sound effects, the cleaned-up visual effects, and most of all the new visuals created for it (for those that could not be added originally due to the last-minute pressures)... all combine to make it a more pleasant viewing experience, in my opinion. (Finally, we know what V'Ger itself looked like in a long shot without the cloud! I never knew in all those years it even had a defined shape. It reminded me of the ship hidden in Halley's Comet in the film "Lifeforce.")

However, back in 1983 we were treated to a longer version of the film that added in cut scenes. Did it improve it? I feel it did in some respects; some of the cut scenes needed to be back in, others are today more rightly relegated to the "Deleted Scenes" extra on the menu on DVD or Blu-Ray. But back then we were so excited to see "more Trek" that even a longer and more drawn-out version of the movie was interesting to see.

In this article by James Van Hise from his Enterprise Incidents magazine, issue #13 (the first to go national after the promotion from fanzine), published in January of 1984, we have a scene-by-scene comparison of the theatrical cut and the extended TV cut, which turned up on home video later. The intense desire by Wise back then to have a "finished version" can be seen in the write-up, and it was something that took over 20 years for him to get to do. I'm thankful we got to see him accomplish that before his passing shortly afterward.

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you may have to click again to view full-size.)

Bonus: Below are two more pages from the 1976 Lincoln Enterprises "Star Trektennial" catalog that was the Trekker equivalent of Sear's Catalog. I have scanned the cover and first two pages before (page 1 here and page 2 here); and I intend on adding all of them in time. There are so many things on there that I wish I had ordered back then and had now.... 

Bonus #2: Below, the cover to my real introduction to Star Trek and the beginning of my love affair with it. I had never even seen a complete episode of the show up to that point, (only snippets here and there as the parents had me flip channels around) but was starting to become aware of it and absolutely loved what little I had seen. The animated episodes were next, and added fuel to the fire!

 

The cover blurb calls him Scotty, but tell me that doesn't look like Spock that McCoy is attacking with the SpaceVac!

Bonus link: Great poster from this Trekker Scrapbook blog! It looks like Pike and Vina are having fun and doing a great job at entertaining the inhabitants of Talos IV!

Harlan Ellison Reviews ST:TMP

When Star Trek: The Motion Picture premiered, a lot of people were disappointed, myself among them. I had such high hopes! And we were let down. Although the movie accomplished a lot in terms of restarting the "franchise," and laid the groundwork for the look of everything to come after it, the all-important story and character interaction left a lot to be desired. Writer Harlan Ellison, known best to Trekkers as the author of "City On The Edge Of Forever," reviews the lackluster film in issue #33 of Starlog, published in April of 1980.

Harlan manages to set aside much of his anger at Roddenberry and company over his perceived ill-treatment when writing the TV script, and in much of his review I agree with him, something I rarely do. For example, I felt that the changes made in the filmed script for the series were for the best, and better "Trek" than his original script. Most of his criticisms of the movie, however, are spot-on, and sadly warranted. However, it does end on a note of hope for the sequels, and in that he (and the fans) were rewarded.

Agree? Disagree? Comment! (To read Roddenberry's reaction to this article, read this.)

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"He called me 'lachrymose'? I'll kill 'em! Wait... what does that mean?"

Bonus: below, a page from the same issue, on the comic book adaptation of the movie script.

Bonus #2: Below, an ad from the back cover, for an LED-enhanced jacket movie tie-in.

Bonus #3: Below, the inside front cover, an ad for the light-up movie Enterprise model.

Bonus #4: Below, a one-page write-up by the movie's science adviser on the theory behind the movie's "wormhole" sequence." This sequence, while marred by the crew's "jiggling" in their seats when the camera was not being shaken, was still about the only action scene in the movie that raised a little excitement and suspense. Under that is a single-panel comic taken from the letters page on the same topic.

As an aside, I am not so completely down on ST:TMP that I can't appreciate the good things about it. Seeing the new upgraded Enterprise in loving close-ups was worth the price of admission; the epic score, etc. I still take out the Director's Edition that Wise re-edited occasionally and watch it, as it is the best version. The tightening up of the film and the fixed sound and visual effects add to the experience and allow me to enjoy it more than ever before. But I could still wish for better pacing and story!

1984 Andrew Probert Interview

Andrew Probert has been responsible for the look of Star Trek since 1979 in so many ways, and the influence of his work still is evident today even in the new Trek movies. Here is an interview with this amazingly talented production designer and artist from Enterprise Incidents #17 published in May of 1984.

Most of the article is concerned with his work on ST:TMP, which expanded the look of Trek universe from the low-budget TV series to motion-picture quality detail and design. Sharp-eared fans (pun intended) may have heard his name used on-screen in TMP, during the subspace radio chatter that was audible over the Epsilon Nine outpost exterior scenes. "Commodore Probert" was the officer named by the voice that was relaying orders for various ships... ships that even more attentive fans may have noticed as having been named and numbered in the Star Fleet Technical Manual!

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My first exposure to Mr. Probert's work was when I ordered prints of his awesome paintings of the TOS cast members from Lincoln Enterprises in the early 70's. Below is a photo of the three I ordered and are now framed on my home office wall. I wish I had gotten the entire set, but my funds were limited back then. Come to think of it, they still are...

Bonus: below, from the same issue, is a short feature that looks at the environmental suits used in the third season of the show. The rare photo of Walter Koenig in the suit is the highlight.

Bonus #2: A pensive-looking Kirk is featured in a publicity still taken during the filming of the third-season clunker "Spock's Brain."

Making of Visual Effects for ST:TMP Part 3

Welcome back (that is assuming you've been here before)! As a reward for your return, here is the promised Part Three of the article on the making of the effects from ST:TMP from Enterprise Incidents #17, from May of 1984. It contains some great images of the models, including one you don't see many behind-the-scenes photos of, namely the K'Tinga Class Klingon Battlecruiser.. First off, the cover of the issue...

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Then, the article itself, full of great photos and informative text.

Below, a larger scan of the above photo, included so that you can see more of the detail.

Another larger scan of an inserted image, I thought this beautiful painting by Probert deserved a closer look.

That's it for this time, come back soon, because I will be posting much more Trek material from this issue, including an interview with "Commodore Probert" himself! (If you recognize that reference you are a sharp-eared Trekker indeed.)

Bonus link: Check out Madman's Shipyards! Cool renderings of various Star Trek ships, including a whole section dedicated to re-envisioning the Franz Joseph Tech Manual ships in the new movie universe style.